I’ve added a new station to the Edges of London project – Ealing Broadway, the western end of the District and Piccadilly lines.
I used to appear on Google Streetview a few doors down the road from where I lived at the time. They’ve clearly sent a car around again since that day in 2012, as I’ve now disappeared from the live maps.
But not to worry, you can seemingly scroll back in time to see Street Views historically. Click on the little clock icon, and you’ll be able to select three snapshots in time of the same patch of wall – two without me, one with.
I love that Google are capturing the historic views of a location – and in time (perhaps decades), we’ll have a unique and powerful tool to see the change of our urban environments over time.
I generally like to look at the data of the projects which I work on (mostly so I can see what nonsense I’ve signed myself up to).
Whilst I am clearly lacking in terms of ability to visualise interesting data, here’s a chart I’ve created to show myself the journey times from shortest to longest from my common starting point of Richmond for the Edges of London project.
The rule is simple – travel only by the tube network (i’m including DLR and overground), no buses, no cheating.
The closest, naturally, is Richmond, of 0 minutes travel time.
The furthest is Chesham, with an estimate of 110 minutes (although as I travel most on weekends, that is probably an underestimate, Amersham was a solid two hour journey).
In total, I have about four days of travel ahead of me.
The scale of the project is clear when you look at the tube maps against a geographical map of London.
As you’ll notice, the map when laid out geographically bears practically no resemblance to Harry Beck’s heavily stylised map of the network.
The edges of the map stretch way way out beyond what would traditionally be recognised as London – with Amersham and Chesham in Buckinghamshire, and Epping up in Essex. Even Richmond station, my ‘Station Zero’ for the project is in a borough made up of parts of Middlesex and Surrey.
I’ve used the excellent CityMapper as my guide, and I’ll be logging more data as the project unfolds.
The raw data is here if you want it, and i will try and keep it all within the same structure/sheets.
(I’d love to find an visualiser who can help me with making these aspects of the project more appealing to look at too).
My new project “Edges of London” launches today.
I’m building a slowly growing photographic collection of visits to the end of every tube line.
Over the course of the next 12 months or so, I’ll be travelling to the 35 stations on the London tube network which are the end of a line, and capturing the conversations I have with folk, as well as anything interesting I spot visually.
The first station was Amersham.
Last night, I spoke at It’s Nice That’s #NicerTuesdays.
Photography courtesy of GT / Its Nice That
It’s their monthly creative talks event, and I stood alongside three other brilliant speakers, photographer Spike Visser, Kevin Haley of aberrant architecture and Hector Harkness from immersive theatre company Punchdrunk, all on the topic of participation.
My talk talked about a couple of projects I’ve run where participation is key, and generally focused on the importance of the role of Curator, someone who is responsible for guiding and directing effort and talent, into the best possible shape; the importance of ensuring that your community is looked after and feels a sense of co-ownership; and that participative projects which include collaboration with a wide group of people are sustainable, so that no-one person can decide they’re bored and give up on a collective group’s input.
All of the talks revolved around the role of the audience in a piece of work, and reminds us that everything we do, ultimately, is for an audience – and without understanding how they fit into ecosystem and the role they play, ideas can be disconnected and inauthentic. Without putting a person and their needs and interests at the heart of an idea, it falls flat.
There’s a larger description of the evening over at It’s Nice That’s blog: http://www.itsnicethat.com/articles/nicer-tuesdays-participation-write-up
Almost 2 years ago, I started a project called The 100.
I dreamt up the idea on Jan 1st 2012 to send 100 cameras to 100 people aged between 1 and 100, one camera per age, in order to capture a week in the lives of 100 different ages.
I intended to complete the project within twelve months, as a quicker project in comparison to the long running Disposable Memory Project (which is five years and counting), and wrap the project up on Jan 1st 2013.
Boy, was that an underestimate. In reality, I’ve effectively finished the project today, with the very last roll of film being published on the site. Whilst there will still be a bit of actively over the coming months, the project in its first state is complete with 100 (actually 102) rolls of film developed and shared, in addition to two special ages 0 and 101.
Why did it take longer than expected? I’ll write a longer blog post over on the project to explain, but in short:
1. Major Life Events. Not least of all, my wife got pregnant and we had a second child in 2012, I moved jobs, and a handful of other significant personal events took place which immediately consumed all of my emotional and cognitive energy.
2. The Post. It doesn’t work. Sending physical things all around the world is costly, hard work and unreliable.
3. Crowdsourcing. It takes a long time to find 100 people. It’s sort of chicken and egg. If people aren’t visiting your website, no-one will apply. No-one will visit your website until you have images online. If no-one visits your website, there are no images. And so on.
4. Major Life Events. This is worth posting for both 2012 and 2013. This year has been even more unsettled, with yet another new job, and a host of other challenges.
Needless to say, its great when a project concludes, and to see the complete set of images is really special.
Check out the complete project at http://the100.thinkplaymake.co/